San Joaquin Light and Power Corporation Building

San Joaquin Light and Power Corporation Building is an historic 11-storey, 52.8 m (173 ft) high-rise in downtown Fresno, California. The building was completed in 1923 for the San Joaquin Light and Power Corporation, that later became the Pacific Gas and Electric Company, by chief designer Raymond R. Shaw of the R.F. Felchlin Company. The building is the fourth tallest in the city.

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The Grand

The Grand may refer to:

See also

The Grand (TV series)

The Grand is a British television drama series was produced by Granada Television for the ITV network, first broadcast between 4 April 1997 and 3 April 1998. It was written by Russell T Davies and set in a grand hotel in Manchester in the 1920s.

There are two series: eight episodes in the first series were broadcast from 4 April 1997 to 23 May 1997 and ten in the second series from 30 January 1998 to 3 April 1998. All 18 episodes were written by Russell T Davies. The cast included Susan Hampshire, Julia St. John, Tim Healy, Michael Siberry, Stephen Moyer and Mark McGann.

The two series were novelised by Catrin Collier, under the pen name Katherine Hardy.

Characters

The series featured the Bannerman family that owned and ran the hotel, the staff that lived in the basement and occasional guests.

Grand opera

Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically using in its French language equivalent grand opéra, pronounced: [ɡʁɑ̃t‿ɔpeˈʁa]) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself.

The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy and other countries.

It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'.

Origins

Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working during this period including Luigi Cherubini demonstrated that the use of recitative was suited for the powerful dramas that were being written. Others, such as Gaspare Spontini, wrote works to glorify Napoleon. These operas were composed on a suitably grand scale for the Emperor. Other factors which led to Parisian supremacy at operatic spectacle was the ability of the large Paris Opéra to stage sizeable works and recruit leading stage-painters, designers and technicians, and the long tradition of French ballet and stagecraft. The first theatre performance ever lit by gas, for example, was Aladin ou La lampe merveilleuse at the Opéra in 1823; and the theatre had on its staff the innovative designers Duponchel, Cicéri and Daguerre.